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Spoon River Anthology by Edgar Lee Masters. No cover available. Download; Bibrec. Bibliographic Record. Author, Masters, Edgar Lee, autoridades. todos se despojan de su máscara, de sus falsos honores y desnudan su corazón, [pdf download] antologia di spoon river testo. A CLASSIC IN AMERICAN POETRY When "Spoon River Anthology" was published in it garnered immediate national attention for its truth and its.


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Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover.

Vincent Millay. Si cessa di essere giovani, dice Pavese, quando si capisce che dire un dolore lascia il tempo che trova. Tanti altri uomini hanno vissuto e vivranno la stessa storia, per diventare erba sui colli. Quem quiser, que me censure - eu estou satisfeito. Not a bad book, but not one I would read again or recommend to others. It's a collection of free-verse poems, crafted as epitaphs of the former citizens of the Midwestern town Spoon River.

While there were some meaningful poems and well-developed characters, there were quite a few sections that I did not care for at all. I've never been an ardent fan of poetry, though, and this one, while a good read, did nothing to change that. Here's my favorite poem from the book: I have studied ma Not a bad book, but not one I would read again or recommend to others. I have studied many times The marble which was chiseled for me- A boat with a furled sail at rest in a harbor.

In truth it pictures not my destination But my life. For love was offered me and I shrank from its disillusionment; Sorrow knocked at my door, but I was afraid; Ambition called to me, but I dreaded the chances.

Yet all the while I hungered for meaning in my life. And now I know that we must lift the sail And catch the winds of destiny Wherever they drive the boat. To put meaning in one's life may end in madness, Of restlessness and vague desire- It is a boat longing for the sea and yet afraid.

Grazie Donna Elvira ,Elettra e Fausta! Bellissimo averlo letto tutto! Sono le tombe che parlano per loro, sono gli epitaffi autobiografici di poche righe che parlano della loro vita, vita spesso intrecciata con quella di altre persone, sempre abitanti di Spoon River.

Antologia di Spoon River mi ha piacevolmente sorpreso. La gente normale non era interessante, non faceva presa. This was so very lovely. Jan 01, Christina rated it it was amazing. I have read this book about 50 times, in bits and pieces, and about a half-dozen from start to finish in order. I love it. Let me start with what the book is about. This is a book of free-form poems that serves as a narrative, each poem told from the point of view of a resident of Spoon River who has died and who is telling their story after the fact, their own epitaph.

Some poems go together, some stand alone, but they form the elaborate portrait of a community. A seeming non-sequitur, perhaps, I have read this book about 50 times, in bits and pieces, and about a half-dozen from start to finish in order. A seeming non-sequitur, perhaps, but it will come back around in the end: I love cemeteries.

When I did a year abroad in Italy, I spent a lot of time in Venice. The cemetery there is on a separate island. Each plaque had a portrait of the child next to it, painted onto porcelain, like photo transfer paper onto cloth, before transfer paper. Each person in that place had something specific to them, shaped by the person they were in life, which lived on after their death.

It moved me to the point of tears. On several of them, there are silhouettes of the occupants of the graves, one guy with a cowboy hat, one woman with long hair, etc…. Even though Spoon River is fiction, the community becomes so vivid in the epitaphs of its residents that it feels real and timeless.

That was a bit of a downer. That is all. Anne Rutledge, Abe Lincoln's first love, is here.

Spoon River Anthology

There's a young Chinese boy who came from far away and was killed by the minister's son. Others who fell from water towers, were murdered in lover's quarrels, who died of heartbreak and disease. Sometimes I talked with animals-- even toads and snakes-- Anything that had an eye to look into. Once I saw a stone in the sunshine Trying to turn into jelly.

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View all 3 comments. Se i morti potessero parlare, sarebbero sinceri: Alcuni di loro, semplicemente, raccontano la propria morte; altri si lamentano della propria sepoltura, se la trovano indecorosa o, al contrario, se ne vantano se si rendono conto di essere stati sepolti con onori che in vita non hanno meritato. Non ci sono "buoni" e "cattivi" qui, ci sono soltanto esseri umani, e per questo amo tanto questo libro.

L'ombra della morte, per ridare alla vita le sue dimensioni. Per restituire il giusto senso alle cose, oltre lo scempio delle millanterie dei vivi. Una geniale intuizione, quella di di E. When I'd see the title of this book, published more than one hundred years ago, it always sounded as if it were written by a Southern writer. In a sense, it was. Though the author grew up in small towns in Illinois and eventually went to practice law with Clarence Darrow in Chicago, his family had Southern roots.

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He always maintained sympathy for the Confederacy and wrote scathing "biographies" of both Abraham Lincoln and Mark Twain. This book of blank verse poetry, focusing on the character and When I'd see the title of this book, published more than one hundred years ago, it always sounded as if it were written by a Southern writer.

This book of blank verse poetry, focusing on the character and fate of different people, is intended as a blunt expose of small town life. In , during the presidential campaign, vice presidential candidate, Sarah Palin lionized small towns. She was quoting journalist Westbrook Pegler, a Mencken-like critic of politicians, who became more extreme as he got older, with his last gig at the John Birch Society.

But this version of small towns appealed to some. I have a friend who grew up in LA who bought the whole thing. One of his favorite TV shows as a kid was "Andy of Mayberry"and believed.

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I was born and grew up for awhile in a small town in northern New Hampshire. My father was the town doctor. The main sources for civic revenue were a paper mill, that heavily polluted the river that ran through town I can still remember the smell and tourism. At age 45, my father had a mid-life crisis and through a series of events we ended up in the SF Bay Area, where I still live.

He told me many stories of the small town and observed that the novel and soap, Peyton Place, were based on a town like ours in New Hampshire. My hometown was more Twin Peaks than Mayberry.

The thrust of Spoon River is that people are people, they are no different than people in big cities except that people in small towns know a good deal about the personal business of their neighbors.

There is no privacy. These towns do not match Palin's fantasy. And, indeed, accounts of Palin's own family in small town Alaska underline the dark side. But students of human nature should not be surprised. This is a conceptually intriguing book in which the residents represented by over poems of a small town cemetery speak from the grave about the truth as they see it, being free from social pressure or potential retribution to present themselves or others in a good light.

I think it's important to remember that Masters was a lawyer by profession, a person who had heard people's testimonies about incidents and different people and had seen how judges and juries dealt with them. This book isn' This is a conceptually intriguing book in which the residents represented by over poems of a small town cemetery speak from the grave about the truth as they see it, being free from social pressure or potential retribution to present themselves or others in a good light.

This book isn't simply about a small town, it's about humanity and justice, sometimes in the legal sense and sometimes in the larger sense. It's also about how people perceive themselves and others. We get more than one perspective on different characters or events that come up as the individuals speak.

This is a book-length work that was written in sections that appeared serially before being collected into a single volume. As many people note, the poems at the beginning of the book are almost unremittingly depressing. They're largely about people who experienced injustice or floundered in the face of events they couldn't control. This lets up in the last third of the book, though not necessarily to good effect.

I felt that Masters continued the project after it's vital energy had waned. Women may be a little dissatisfied with the book because so few women are represented, 50 out of , and often in stereotypical ways. This isn't surprising considering that most of these poems appeared before women had even been granted the right to vote. Though the lack of representation is still a disappointment, it's worth acknowledging that he did give women a voice and laid bare some injustices toward them and community attitudes toward stereotypes represented that were unjust.

He doesn't let things be simple. The copy I read had a had an introduction by John Hollander and footnotes clarifying the many historical and literary allusions in the poems.

I highly recommend people get a volume with the footnotes. Much has been written about this work. In fact, it's the only book of poetry I've ever heard of that has its own website spoonriveranthology.

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It's worth reading and rereading. The next time through I'll mark them. And there will definitely be a next time through. Not all of the poems were great but many of them were superb and I'd like to find them again. I don't think this book is for everyone but it struck me as a good book to have students read and discuss at the high school level because if offers so much to talk about, whether matters of poetics or history or justice.

I intend to give a copy to my brother, who is a lawyer and would appreciate the many perspectives that turn up in the book. I also think any serious student of poetry should read it as an example of a big project. In our formal education, we so rarely presented with even remotely contemporary examples of book-length poems or projects. I was quite miffed to be left clueless about this book until running into it at my local library.

I want to warn the readers of this review that Spoon River Anthology is generally considered the only work of Masters worth preserving. As John Hollander put it, a "quite uninspired poet, who in the unique format, and under imaginative pressures, excelled himself by producing a masterpiece. The whole is far greater than the sum of its parts. Edgar Lee Masters' great work is impressive in its scope; with over two hundred "epitaphs," each one an individual person, the collection takes apart small-town America in the early 20th century with astonishing precision.

Masters makes no bones about the presence of corruption and cruelty Thomas Rhodes is frequently indicted by the other dead , secret sins, everything that those who would have lived in a town like Spoon River saw every day of The whole is far greater than the sum of its parts. Masters makes no bones about the presence of corruption and cruelty Thomas Rhodes is frequently indicted by the other dead , secret sins, everything that those who would have lived in a town like Spoon River saw every day of their lives.

Some of these stories are particularly heart-wrenching, as in the paired poems "Elsa Wertman" and "Hamilton Greene", or biting, as with "Mrs. Charles Bliss" and "Rev. Lemuel Wiley". He gets to the roots of a place, using the actual Spoon River as a sometimes even still living model for his characters, but in doing so creates a mirror of the soul of all such places.

This makes the whole Anthology an intriguing and powerful look at a segment of society under the microscope. The various stories are connected brilliantly--often, each participant tells his side of the story absolutely without deception and exposes the way no one can really understand what goes on in any other mind through the contradictions in the accounts. Some poems stand alone, with little to no connection to any of the various story arcs; of those: Unfortunately, most of the poems that do not contribute significantly to one or another of the stories add very little to the overall feel of the town, and so do not add much to the work as a whole.

The book can also be a little short on "poetry". Published in , Spoon River Anthology is near the forefront of free-verse poetry and Masters, at times, loses sight of the flow of his words.

The poems of the bulk of the book fall between the best of Whitman or Sandburg and the worst of the same in terms of their relative lyricism. At the end of the collection, "The Spooniad" and "Epilogue" make an effort to find lyricism in blank verse and a rhyming verse play respectively, but neither of these efforts is entirely successful in style and neither approaches the intelligence and power of the epitaphs that make up the Anthology.

I would definitely recommend this book as a whole and advise reading it is as few sittings as possible; Masters' brilliance is not so much in the poems themselves as in they way they interact. The citizens, who speak from beyond the grave on The Hill, tell of their lives and those they knew, lamenting on various aspects of their past life. The poems have a dramatic monologue, epitaph-like quality; they are snapshots of emotion, philosophy, wisdom and morals from these residents.

The individual voices of Spoon River are quite diverse, as you might imagine. Murderers and thieves, jealousies and scandals, love and hope, crushed dreams and suicide, moral wisdom and philosophy, bitter hatred and regret, optimism and nostalgia all make up Spoon River. Some citizens express the guilt and regret of not having lived life better. Others offer clues about failed and hopeless love.

Others give perspective on what mattered most to them in life. Still others give clues and perspective on how they lived, and how they died. There is a slice of small town community in each, and Masters presents these snapshots in a hauntingly, poignant way. For that reason, there were several times I had to put the book aside and read something else. Not all outlooks from Spoon River are so dark in tone; there a few, like Lucinda Matlock, that look at their life at Spoon River with no regrets: I grew up in Northwestern Illinois.

Growing up, I remember this book as having a distinct and memorable personality, what with all the glasses, scars, fangs and arrows through heads adorning the authors of the classics. He took the names and dates from stones and created linkages and a variety of stories that were obviously were his creations reflecting his style, as it were. I also appreciated that when he gave voice to these folks, some for a few lines, some for a few pages, they all had something to say from the grave.

Many told of how they died. A few told of how they lived. Some even had messages for the living. Quite an interesting thought experiment determining what all these folks would say.

Masters put in lots of humorous or ridiculous death descriptions, likely to lighten the mood for such a somber subject. I listened to the audio version of this with, was it 50 different voice actors?

Including Ed Asner. I found that a good way to listen, the variety kept the interest up, and there were a few music trills mixed in that closed a line of discussion, it seems.

Herbert Marshall Tutto il tuo dolore, Louise, e l'odio per me nacquero dalla tua illusione che fosse capriccio dello spirito e disprezzo dei diritti della tua anima a spingermi verso Annabelle e lasciarti.

In realta' tu arrivasti a odiarmi per amore, perche' ero la gioia della tua anima, formato e temprato per risolverti la vita, ma non volli.

Tu invece eri il mio strazio. Se tu fossi stata la mia felicita', non mi sarei forse aggrappato a te? Questo e' l'amaro della vita: Story told by headstone epitaphs, high school English. Description Comments Ungluers More When "Spoon River Anthology" was published in it garnered immediate national attention for its truth and its shocking transgression of societal mores.

A collection of poems from the graveyard of a rural Illinois town, "Spoon River Anthology" poignantly captures the politics, love, betrayals, alliances, hopes, and failures of this small American town.

Here is the respected doctor, jailed for swindling; here is the chaste wife, rapt with desire; here is the pastor, angry and resentful; here is the quiet man, filled with unrequited love and devotion.

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Beneath the midwestern values of honesty, community, family, hard work, and chastity, "Spoon River Anthology" reveals the disillusionment and corruption in modern life. With the publication of "Spoon River Anthology" Masters exploded the powerful myth that small-town America was a social utopia. Here for the first time was a community that people recognized in its wholeness and complexity.

Comprised of distinctly modern poems that collectively read as a novel, "Spoon River Anthology" is the story of a quiet midwestern town whose truths and contradictions are celebrated by its dead.

Why read this book? Have your say. Rights Information Are you the author or publisher of this work? If so, you can claim it as yours by registering as an Unglue. Downloads This work has been downloaded times via unglue. Edgar Lee Masters, Published: Spoon River Anthology Contributors: Edgar Lee Masters, Publisher: General Books Published: